Culture of culture

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A. Ya. Flier. Ideology as a form of culture



In SEARCH of the MEANING of HISTORY and CULTURE (A. Ya. Flier’s Section)

V. M. Rozin. The Genesis of the European state (pondering Martin Creveld's book «The Rise and fall of the state»)

N. A. Khrenov. On the way to «Posthuman»: anthropological, mythological and artistic potential of the puppet (ending)

V. I. Grachev. Energy as a special substance of the Universe and Culture



HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’s Sectoin)

E. N. Sapinskaya. The return of the repressed ethnicity: the ethnic and cultural Other in (post)modern world


N. A. Khrenov. Culture of the twentieth century: theatrical experiments in the era of escalating mass communication (ending)

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Announcement of the next issue



Khrenov Nikolai Andreevich,
Doctor of Philosophy, Professor,
the Gerasimov Russian State
University of Cinematography


Culture of the twentieth century: theatrical experiments in the era of escalating mass communication (ending)

Abstract. The article is devoted to the transformation of the main parameters of theatrical art and techniques of theatrical expression in the context of cultural innovations of the twentieth century, mass communications, changes in global cultural orientations that caused a change in the theatrical language, the orientation of culture to "grammar", etc.

Keywords: theater, cinema, experiment, grammar, culture, reorientation, mass communication.

[59] Vsevolodsky V. Amphitheater // Bulletin of theater and art. Petrograd 1922. No. 2. P. 5.
[60] Meyerhold V. Articles. Letters. Speeches. Conversations: in 2 vols. 1. Moscow: Iskusstvo, 1968. P. 212.
[61] Yampolsky M. At the origins of cinema poetics. The Experience Of Georges Méliès // Art of cinema. 1981. No. 3. P. 146.
[62] Meyerhold V. Edict. Op. T. 1. P. 218.
[63] Ibid., Vol. 1. P. 222.
[64] Arto A. Theater and its double. Saint Petersburg: Symposium, 2000. P. 178.
[65] Trubochkin D. "It's all right! The elder dances...": Roman Comedy of the cloak in action, Moscow: GITIS, 2005. P. 350.
[66] Ibid. P. 357.
[67] Ibid. P. 358;
[68] Forreger N. avant-Garde art and music hall // Hermitage, 1922, No. 7. P. 6.
[69] Ibid. P. 6.
[70] Kozintsev G. Collected works: in 5 vols. Vol. 2. L.: Iskusstvo, 1983. P. 49.
[71] Ibid. P. 49.
[72] Ivanov V. Vs. Essays on the history of semiotics in the USSR. Moscow: Nauka, 1976. P. 127.
[73] Fischer-Lichte E. Aesthetics of performativity, Moscow: Kanon-Plus, 2015. P. 94.
[74] Eisenstein S. Method. Vol. 1. M., 2002. P. 125.
[75] Ibid. P. 123.
[76] Eichenbaum B. Problems of film studies // Poetika Kino. M-L.: Kinopechat, 1927. P. 23.
[77] Benveniste E. General linguistics, Moscow: Progress, 1974, P. 125.
[78] Bazin A. What is cinema? Moscow: Iskusstvo, 1972. P. 151.
[79] Piotrovsky A. On the theory of film genres // Poetics of cinema. M-L.: Minopacity, 1927. P. 155.
[80] Zorkaya N. at the turn of the century. At the origins of mass art in Russia 1900-1910. Moscow: Nauka, 1976. P. 193.
[81] Propp V. Morphology of fairy tales. M., 1969. P. 106.
[82] Eisenstein S. Ibid. P. 1074.
[83] Ivanov V. Vs. Essays on the history of semiotics in the USSR. Moscow: Nauka, 1976. P. 121.
[84] Eichenbaum B. Edict. Op. 17.
[85] Ibid. P. 29.
[86] Bachelis T. Shakespeare and Craig. M.: Nauka, 1983. P. 155.
[87] Ibid. P. 155.
[88] Eisenstein S. Decree. Op. P. 128.
[89] Ibid.



ISSN 2311-3723

OOO «Soglasie» publisher

Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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