SCIENTIFIC AND EDUCATIONAL SOCIETY FOR CULTURAL STUDIES
SCIENTIFIC ASSOCIATION OF CULTURE RESEARCHERS

Culture of culture

Scientific peer-reviewed electronic periodical
Since 2014

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Hypotheses:

THEORETICAL REVIEW

E.A. Orlova. Concepts of identity/identification in socio-scientific knowledge

 

Discussions:

IN SEARCH OF THE MEANING OF HISTORY AND CULTURE (A.Ya. Flier's rubric)

A.Ya. Flier. Culture as the basis of identity

N.A. Khrenov. The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the period of reaction in the history of the Revolution (continued)

V.M. Rozin. From the views of L.S. Vygotsky to the modern concept of development

 

Analytics:

CULTURAL REFLECTIONS

A.Ya. Flier. Accumulation and transmission of social experience. Socio-cultural reproduction

N.A. Khrenov. Culture and Technology: from the organ projection of E. Kappa to the objectification of Hegel's spirit (Semiotic turn in the culture of the twentieth century) (continued)

V.M. Rozin. Personality formation: the role of the social environment and the work of the individual's consciousness

 

VIEWS

A.Ya. Flier. Culture as a survival system and its 5 strategies

A.P. Markov. Traditional Values – "New Ethics": the Global Conflict of Logos and Chaos


Announcement of the next issue

 


Nikolay Andreevich Khrenov,
Doctor of Philosophy, Professor,
All-Russian State University
of Cinematography named after S.A. Gerasimov.
e-mail: nihrenov@mail.ru

The Russian Revolution from the point of view of the transitional situation in the history of culture. Rehabilitation of the Imperial complex as a consequence of the Period of reaction in the History of the Revolution (continued)

Abstract: The article examines the process of desacralization of the revolution in modern Russian culture on the example of domestic cinema and the formation of a critical view of it. The main negative features of the revolution, which are emphasized by modern directors, and the general negative impact of the revolution on the development of cinematography in the USSR are also investigated.

Keywords: Revolution, cinema, desacralization, reflection, public consciousness, ideology.

[12] Sorokin P. Sociology of Revolution. M., 2008.p. 169.
[13] Ibid.
[14] Ibid.
[15] Ibid.C. 170.
[16] Ibid. C. 149.
[17] Ibid., p. 170.
[18] Ibid., p. 141.
[19] Pasternak B. Doctor Zhivago. M., 1989. C. 434.
[20] Bunin I. Cursed days. M.: Sovremennik. 1991. p. 38; Sorokin P. Decree. op. p. 88.
[21] Solzhenitsyn A. Journalism In 3 vols. 3. Yaroslavl. 1995. p. 298.
[22] Melgunov S. The Red Terror in Russia. New York: Brandy Publishing House, 1979. C. 97.
[23] Ibid., p. 97.
[24] Ibid.
[25] Fraser D. Golden Branch. M.: Publishing House of Political Literature, 1980. p. 69.
[26] Burke E. Decree. Op. C. 79.
[27] Ibid.
[28] Carlyle T. Decree. Op. C. 319.
[29] Gaim R. Hegel and his time. Lectures on the initial origin, essence and dignity of Hegel's philosophy.St. Petersburg, 2006.p. 283.
[30] Ten I.The Origin of modern France.Vol. 2.Anarchy.M., 1907. C. 27.
[31] Sorokin P. Decree. Op. C. 141.
[32] Bunin I. Cursed Days. M.: Sovremennik, 1991. p. 16.

 

 

ISSN 2311-3723

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Publisher:
Scientific Association of Culture Researchers

Official registration № ЭЛ № ФС 77 – 56414 от 11.12.2013

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Issued quarterly in electronic form only

 

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